If you’re looking for an easy way to download all 31 transcriptions so far. It’s taken over 100 hours to complete all these, so I hope you’ll consider the buck it takes to download the entire zip file.
Thanks as always for reading, and I hope the transcriptions are the right mix of fun and challenging!
I woke up today and suddenly remembered that the people buying my books probably have issues with *ahem* substances, or they’re musicians (or both). Either way, saving cash is a good thing. It’s now $10 for each, or $25 for the trio. Hope you’ll take a minute to check out the books page.
Way back when I had to walk barefoot through thirty miles of snow with half a sandal and no canteen to school, I played 311 songs. Other than my church (where I started playing bass), a big source of inspiration came from this group when I was 14. Kind of strange revisiting these, really.
Anyway, here are five bass lines by 311. If you ever wondered how to play bass lines by p-nut, chances are, you’re high. Either way, here’s the song list:
Love Song (cover of The Cure)
All Mixed Up
Also, P-nut usually plays a 5 string bass for all those notes below low E.
Hubert Eaves IV gives us this week’s free bass transcription from the track “Searching”… a fat line with tons of attitude on Erykah Badu’s “Live” album. Some of my observations…
The bass line plays a big role in driving the song forward… simple, consistent lines with subtle variations throughout. The interaction between Eaves and drummer Poogie Bell is mouth-wateringly tasteful, as in the bass fill at measure 16. Short and simple, it’s as if Bell says to Eaves, “I hear you! I’ll get out of your way,” and the bass line is elevated that much further.
The verse starts in the key of E minor, and modulates to G minor for the chorus.
Though I only transcribed the first half, check out the recording sometime for the last half. Between Eaves’ slap bass line, and Poogie’s shift to the ride cymbal, the song’s intensity goes much higher. Cool stuff.
Also, I remember one of my teachers pointing out the bass note at 3:00. It sounds like a rather shaky A (tonic) played on an E major (dominant), which struck my teacher as a mistake…. maybe a misfire as to where Eaves thought the song was going. Hard to say for sure, but it sure sounds that way. IF it’s a mistake, I like that it’s there. Reminds me that small fries like myself may still have a fighting chance in a world where mistakes are heard on major albums :-).